I believe good writing should transport you. Whether I’m translating, editing, or telling a story, I aim to bring you closer to the heart of the subject. This poem is my love letter to Cambodia, and perhaps the best way to understand how I work: attentive, layered, and transformative.
Fragments
Between the stone faces of Bayon
and the silent fields where bones still whisper,
a country emerges from morning mist,
carrying its ghosts with quiet dignity.
Ancient temples breathe in jungle air,
while motorbikes weave through Phnom Penh streets,
vendors call out with rhythmic precision,
and children play along the Tonlé Sap’s edge
History sits heavy on tired shoulders,
not a burden but a testament
to survival’s extraordinary art.
The Mekong flows, indifferent to sorrow.
Cambodia does not ask to be understood.
It asks only to be witnessed,
to enter your bones like music,
to transform you without permission.
In crowded markets filled with silk and spice,
beneath temple flowers scenting evening prayers,
through rice fields stretching toward the horizon,
lies a truth that cannot be captured in words.
Saffron-robed monks collect morning alms,
while rain clouds gather over Angkor’s stones.
The country’s heart beats in steady time,
waiting for those willing to simply listen.
And if you ever leave, you carry fragments
the jolt of iced coffee in the midday heat,
the weight of monsoon rain on your skin,
the chaotic symphony of city streets,
eyes that have seen centuries of both beauty and pain.
This is how Cambodia remains:
not conquered, not solved, not possessed,
but eternally echoing in the chambers of your heart,
a song you cannot translate,
a song you will never forget.
Ramon Stoppelenburg











Mother of Georgia symbolizes the Georgian national character: in her left hand she holds a bowl of wine to greet those who come as friends, and in her right hand is a sword for those who come as enemies.
I found a $400pm 2-bedroom apartment there with ease and only had to find this business location to set out my dreams and show the people here what a good life with great movies is.
In the meantime I started a side hustle. I discovered nobody was selling cupcakes in this city and that opened a chance for me to jump in and see how it goes if I would be that somebody. I even added alcohol to my cakes and went commercial with my Shotcakes. Shotcakes received raving reviews, had enthusiastic crowds and was a big hit at parties. But I would have to sell 12 cakes (one box) per day to even get even on my rent and very slowly I realized that was not actually happening. Perhaps if I threw in a giant marketing campaign to get the entire city involved, but I had no budget for that.
So that’s where I ended up. In Casablanca, Morocco. It took a while though, because when I was ready to leave Georgia in December last year, Morocco closed its borders due to the omicron fears and I had to stay put and simply get through every day in the most possible boring ways. When Morocco announced to open again from February 7, I booked the flights out of Georgia with whatever funds my credit card allowed me. Together with Shady, my weird Cambodian cat.






















On New Year’s day I arrived by train from Rotterdam in the small city of 
We ate French 




